American Heartbreak - Self Titled
                                                                                                                                                                                    Released Through Liquor & Poker Records in 2006
THE BAND:
Lance Boone - lead vocals
Billy Rowe - lead, rhythm, slide & acoustic guitars, plus bass & backing vocals
Casey Crenshaw - rhythm & lead guitars, backing vocals
Michael Butler - bass guitar & backing vocals
Paul Scavuzzo - drums


TRACK FRAGMENTS:
1.) "Somebody" - The musical arrangement of this intro consisted of two rhythm guitars parts playing a very simple rhythm.  In doing this Billy & Casey were able to give the guitar rhythm a very heavy sound.  Over the top of the two rhythm guitars there is a small minor lead guitar solo that connects the intro to the verse.  Trailing off the end of the minor lead guitar solo there is a second lead guitar overdub.  So for those keeping count that is four guitars parts in total.   There is a small rhythm guitar change for the verse, making the verse a little less dynamic and heavy.  Not only is there a second rhythm guitar change for the pre-chorus but also a minor lead guitar solo that runs underneath the lead vocal lines.  The backing harmonies of the choruses are very tight and fit perfectly with the existing arrangement.  The bass lines written for the song follow right along with the rhythm guitar.  The musical arrangement connecting the first chorus to the second pre-verse, builds with a certain power that's very difficult to put into words.  It's very difficult to tell but, during the second verse there is a small vocal line that sounded just a little different than the rest.  This could be a Lance overdub, or, one of the other members backing harmony.  With the way production studio's are set up these days it is very possible that since the lead vocals were recorded on one channel that the producer tweaked that one lyric line.  Underneath the musical chorus you can hear a hint of an acoustic guitar.  For the third chorus the band drastically changes the musical arrangement of the chorus by dropping all the electric guitars and adding a acoustic rhythm.  This song does not have a guitar solo per-say, what it does have are little minor lead guitar riffs that are scattered out underneath the choruses.
2.) "Sick N' Tired" - This track opens with a seventies AC/DC feel.  The band keep the same rhythm arrangement for the verse as the intro section.  Much like the previous track the bass line does not kick in until the pre-chorus.  For the pre-chorus the band change the rhythm guitar arrangements to give it a little bit of a different feel.  The choruses of this track is very tight with an eighties feel.  The channel the bass was on was turned up too were you can hear the bass line on this song.  Though the bass line had a very simple feel, it does however give the song a lot of depth.  The guitar solo was placed after the second chorus.  There is a huge classic rock influence attached to the guitar solo.  There is a small breakdown section after the lead guitar solo.  The vocal line over the breakdown section was done with to vocalist.
3.) "Love Your Abuse" - The rhythm guitar riffs of this intro gives the song a seventies rock feel.  The bass is the main instrument through the first verse.  In a lot of way the band set the lyrics up kind of reminds you of a punk style arrangement.  The choruses of this song are about as simple as they get.  There really isn't too much you can say about this track and it comparison to the first two, it is a little too simple for my taste.  But that's not saying it is a bad song, because it's not. 
4.) "Things Are Looking Up" - This track opens with a pre-verse.  The rhythm guitar arrangement underneath the vocal line has a very simple feel too it.  The vocal lines have a very smooth feel to them.  For the chorus the band adds a second rhythm guitar, this changes the sound of the rhythm track.  The is an underling acoustic guitar arrangement underneath the chorus.  The bass line change for the second verse changes the dynamics of the song just enough to keep you interested in the song.  Sometime it pays to keep musical arrangements very simple.  There is no guitar solo for this song.
5.) "Raise Up Your Hands" - This track opens with a very simple musical arrangement.  The rhythm guitar arrangement of the verse is very laid back letting the vocal line carry the song.  There really isn't any backing harmonies for the chorus.  There is a very cool rhythm guitar riff that follows the vocal line after the breakdown section.  Once again just a very simple but great track
6.) "The Girl Who Knows Nothing At All" - The small twin lead guitar lick of this small intro section had an Eagles feel.  For the verse the only instrument underneath the vocal line is the rhythm guitar.  The band kicks the song in for the chorus.  The drums and bass are the driving force behind the songs arrangement.  In several way this song reminds me of something Enuff z Nuff would record.  Vocally, the vocal lines of this track really shows Lance's vocal ability.  The musical arrangement underneath the vocal lines have a very subtle feel too them.  For the second chorus the band incorporate a very small orchestrated musical piece.  Though this is used to fill in some of the songs emptiness, it really highlights Lance's vocals.  The simple sounding guitar solo suited this song perfectly. 
7.) "The Last Of The Superheroes (of the 1970's)" - This track opens with a rhythm guitar riff.  The pre-verse consisted of only rhythm guitar and vocals.  There is a very cool bass line that connects the verse to the chorus.  The band kept the chorus very simple, which is what the song needed.  All in all this track is one that you would call a b-side, but still very cool.
8.) "Unhappily Ever After" -The intro to this song opened with a bass line and drum rhythm.  The bass line for this intro has a very cool sound.  Connecting the intro section to the verse there is a small minor twin guitar solo.  The verses to this song are almost too short.  In the way the guys set the vocal lines up against the rhythm guitar tracks were very cool.  About the only thing you can really say about this track was that it was very simply written.
9.) "21 & Easy (simple things like rock n' roll)" - The rhythm guitar riffs of this intro have a very simple feel to them.  There is a simple rhythm change along with a lead guitar riff underneath the chorus.  All in all this is a very cool yet very simple song.
10.) "Crawling" - The pre-intro of this track was done with an acoustic guitar.  The main intro of the song kicks in with an AC/DC feel.  The main instrumentation for the verse is the bass line.  The rhythm guitar tracks kind of build up to the chorus.  The backing harmonies of this song are very tight with a great sound. 
11.) "Fallen Angels" -Over the top of this intro section there is a minor lead guitar solo.  The bass line and drum arrangement of the pre-verse makes this track.  The band wrote the choruses in an almost breakdown fashion.  There is a guitar solo after the second chorus.  The breakdown for this song is about what I would expect. 
12.) "Isolation" -  This track opens with an acoustic guitar arrangement.  For the pre-verse the band added a vocal effect to the lead vocal lines.  I really liked the backing vocals on this song in a lot of way they reminded me of seventies classic rock. 
13.) "BITCH"- All in all this made a great closing track.


    American Heartbreak's self-titled release is one of those albums that has made Rock 'n' Roll fun again.  Ever since the dawning of MTV rock music has become more about a certain look then sound or statement.  An this was never more evident then the late eighties.  Heavy Metal is suppose to have a forbidden feel to it, an that is exactly what American Heartbreak has accomplished.  Songs like the opening tack, 'Somebody' just blew me away.  Absolutely do not let the simplicity of the songs fool you, this is one hell of a release!  If you are into bands such as AC/DC then you really need to check this band out!