Evanescence - 'The Open Door'
Released through Wind Up Records in 2006
THE BAND:
Amy Lee - vocals & Piano
Terry Balsamo - guitar
John Lecompt - guitar
Will Boyd - bass
Rocky Gray -drums
TRACK FRAGMENTS:
1.) "Sweet Sacrifice" -The vocal lines and rhythm guitar
tracks of this intro were recorded using a muffled studio effect.
Underneath the rhythm tracks of the song's arrangement there is a small
industrial sounding percussion section. This percussion section was used
to give the arrangement a little depth. Amy's vocal lines of the
pre-chorus are some of the best I have ever heard the female vocalist perform.
After the first chorus there is a small musical rest within the music. The
rhythm guitar riffs of the guitar arrangements have a very intense modern rock
feel to them. Though the song consisted of no lead guitar solo, the way
that Amy pulls off the lead vocal lines you really do not miss it.
2.) "Call Me When You Sober" - This is the first single taken off the CD and was
written about Amy's ex-boyfriend Shaun Morgan lead vocalist of the band Seether.
This track opens with vocals and piano. The fourth vocal line of the
lyrics were overdubbed. This gives the lead vocal lines a lot of dept.
There is a musical arrangement change after the vocal & piano intro. The
pre-verses and verses of the song consist of two rhythm guitar arrangements
layered one a top the other. Vocally Amy completely blew me away on this
track!!! There is a small piano bridge connecting the first chorus to the
second verse. After the second chorus there is a small breakdown section.
Over the top of this breakdown section is the only time Amy sings the title of
the song.
3.) "Weight Of The World" -This track opens with a modern heavy metal
intro arrangement. The keyboard arrangement underneath the vocal lines had
a toy keyboard sound to it. At the tail end of the choruses there is an
intense rhythm guitar change. The band incorporated a small acoustic
guitar arrangement underneath the last chorus.
4.) "Lithium" -This track opens with a piano and vocal line. In
between the piano and vocals there is a small cello orchestrated section.
The cello was not only used to give the song a little depth but also to
highlight Amy's vocals. The band arranged the verses in a very subtle way
which, considering the name of the song would only make sense. As a
musician I really liked the way the band arranged this song.
5.) "Cloud Nine" - In between the drum machine and lead vocal line of this intro
section there is a small Amy vocal accent. Amy's lead vocal lines of the
pre-verse were done with an attached vocal effect. Underneath the chorus
there is a small musical change with the addition of a violin orchestration
section. Musically this song goes through several dramatic musical
changes.
6.) "Snow White Queen" -The pre-musical intro of this track opens with
a computer special effect. The opening pre-verse of the song consisted of
just Amy's vocal lines and a drum machine. At times especially when the
rhythm guitar kicks in the song sounds like three different songs all rolled
into one. Not that the band doesn't make the arrangement work, they do.
It is just a little awkward sounding.
7.) "Lacrymosa" -The intro and main instrumentation of this intro and
verse was a violin. Amy and guitarist Terry Balsamo done an excellent job
on interlinking the violin arrangements with Amy's piano. In many ways
this track has a horror soundtrack feel to it. This is one of the few
tracks on the CD that has an actual guitar solo.
8.) "Like You" -The bass line of this intro section was turned up to
the point of comparing it to modern 2006 rap bass lines. There are two
different rhythm guitar arrangements underneath the vocal lines of the verses.
Amy's lead vocal lines have a very subtle laid back sound to them. At
times the rhythm of the lead guitar changes and you expect the song to really
kick in, but it never really does.
9.) "Lose Control" - Too me I felt Amy's piano arrangement of this
intro had a seventies feel to it. Like a lot of Evanescence's songs Amy
overdubbed a small backing vocal underneath the lead vocal lines. After
the intro section there was a drastic musical change were the song transfers
from ballad to modern heavy metal.
10.) "The Only One" - There is a small repeated vocal accent over the
top of this intro section. Between the opening chorus and the first verse
Rocky witches from using a drum machine to a standard acoustic drum kit.
This along with the rhythm guitar gives the song a more modern metal feel.
11.) "Your Star" -This track opens with a piano intro. Through
the opening chorus there are a couple of the lyric lines that were overdubbed by
Amy. There is a very simple rhythm guitar kick in for the musical verse.
Amy changes the piano section of the song after the second chorus. This
piano arrangement was heavily influenced from classical musical. Classical
musical is difficult to play within itself, let alone for Amy to sing at the
same time! After this classical musical piece the song changes once again
with a vocal solo.
12.) "All That I'm Living For" - At first play because of the
distorted rhythm guitar you think this track is going to be your standard heavy
metal song, but guess again. After the opening chorus the band completely
change the rhythm structure of the song by dropping the distorted and adding a
violin arrangement. The choruses of this song are very reminiscent of a
lot of the stuff the band wrote for their freshman release. Because of the
way the band arranged the song it would not surprise me in the least if this
track was taken off the CD as a single.
13.) "Good Enough" -The intro to this track consisted of piano along
with an underling orchestrated string section. Connecting the intro to the
verse there is a small piano arrangement change. The piano arrangement on
this song had a very nice sound and shows Amy's talent at playing the piano.
Evanescence's are a multi-platinum recording artist with their
freshman release selling nearly fourteen million copies
world-wide. Poised to continue with their heavy metal success the band has
released their second CD titled, 'The Open Door'. At times, if it was not
for the distorted rhythm guitar, the thirteen songs on this CD could be
classified as abstract top forty. With that being said, lyrically Amy has
taken heavy metal lyric writing to a new plato with this release! A song
based on personal events will almost always make for a hit song. An you
can tell lyrically and emotionally Amy used several things that is going on in
her life as subjects. With all honestly I do not believe I have heard a
better female vocalist. Musically most of the songs are very laid back
letting Amy's vocals carry the song which, is the way it should be for these
types of arrangements. I would definably recommend any modern rock, or
metal fan to check this release out.